Tag: Lincoln

Wisecrack – Pining for the Road

Pining for the Road

Folk punk is a unique genre of music. It touches on two ends of the musical spectrum—on one hand it can be easy listening and perfect for just sitting back and admiring but on the other, the raw energy can make you just want to get up and go. Lincoln based folk punk band Wisecrack, get the balance inch perfect on their debut album, Pining for the Road.

Pining for the Road

Pining for the Road

The three-piece act mix folk, punk and country brilliantly to create merry ‘drinking songs.’  Their lyrics are ‘political and anti-fascist’ but send out positive messages which add to the vibrant, uplifting feel of the album. This theme runs throughout Pining for the Road from start to finish, and the album has an uncanny knack of leaving you in a very jolly mood after listening through it. The band cite acts such as Bruce Springsteen, Frank Turner and Chuck Ragan as their main inspirations and different aspects of these great musician’s style shine though in Wisecrack’s music. The band do a brilliant job of drawing from their influences to create their own infectious sound which reverberates through the whole of Pining for the Road.

The opening track, 7 Day Hangover, is a nice blend of electric and acoustic guitars and gets the album off to the perfect start. It’s a real feel good tune and the type of song you’d find yourself singing with your friends after one too many beers. You know you’re in for a treat when Wisecrack front man Matt Colwell sings:

“We’ve partied hard and then we crashed the cars, all that’s left is an empty room, these six strings and a hungover afternoon.”

The second track, Angel With Two Right Wings, is perfectly structured with a slow, quiet, acoustic build up that springs to life in the chorus in the shape of electric guitars and an attack on right-wing politics. The use of a banjo in the chorus also adds to the depth of the song, and illustrates Wisecrack’s ability to combine different instruments and musical genres effortlessly to create their own recognisable sound.

Don’t Pray for Me is a catchy but meaningful song with a good chord progression and a smart guitar harmony layered over the top. Matt Colwell voices his opinions on religion with the thought provoking line:

“This is God’s country and we’re supposed to be his children but there’s better fathers in prison.”

The title track of the album, Pining for the Road, is a highlight of the album and much like the opening track, is very upbeat and carries a lot of energy. The song contains the signature punk rock formula of quick palm-muting in the verses followed by the ringing out of chords in the choruses. It’s about the band’s love of travelling and touring whilst playing music.

Towards the end of the album, another standout track is the hugely infectious Sunflower Song. It contains elements of ska, folk and punk and to put it in the words of the band themselves, they once said:

“It’s impossible to listen to it without a smile on your face.”

Overall Pining for the Road is a fine album and Wisecrack are a band that Lincoln can be proud of. They have a big love for music and this radiates through the album. It sends out messages about important issues such as politics and religion, but it does it in a positive way and inspires the listener to just enjoy music and have a good time.

For me, this is what music should be about and the world needs more bands like Wisecrack.

Lunchband @ The Jolly Brewer

There’s been a lot of indie bands which have sprouted around the UK after bands such as the Arctic Monkeys exploded on to the scene seven years ago. With the amount of indie bands around, it takes something extra special or different to stand out from the crowd—something unique.

On live evidence, London quartet Lunchband have the potential to be that something.

I was cold, wet and miserable when I got to the Jolly Brewer in Lincoln after trudging through the wind and rain to get there. It didn’t take long to warm up and dry off though because as soon as the first band hit the stage, the place throbbed with excitement. The Unknown Stuntmen were the support act for the night—a five-piece band who seemed to mix a number of genres, creating an exciting blend of music which kept the audience captivated. To put it in their own words:

“The Unknown Stuntmen are a collection of pirates that picked up an instrument each, tuned their vocal strings and set sail for anywhere that would have em”.

Their mixture of pop, folk and rock ‘n’ roll, with a hint of Spanish guitar playing, was a recipe for success with the audience either watching attentively or dancing the night away.

With three vocalists in the band, two males and one female, there’s a good variety in their sound with their voices and harmony’s complimenting each other nicely. I caught up with the rhythm guitarist, Dave, after their show to find out a little more about the band. He described them as being influenced by “anything with a good melody” and cited artists such as “The Beatles” and “Beethoven” as major influences. By being influenced by such popular and respected musicians as these, it’s easy to see why the audience took so kindly to the The Unknown Stuntmen.

Cover art for Lunchband's EP: Rabbits, Princes, Phantom's & Beaches

Cover art for Lunchband’s EP: Rabbits, Princes, Phantom’s & Beaches

In the interval, after everyone had topped their beers up, the crowd started to gather in anticipation for the headline act of the night, Lunchband. Lunchband are a four-piece act from London but many of the band members originate from Lincoln. This made the show that little bit more special for the band and it shone through in their performance. Mixing indie, electronica and folk rock together, the band create a signature sound which is very appealing to both old and young. Listening to them, you can see they’ve been influenced by popular mainstream indie acts of today, such as Arcade Fire, but there’s also some 60’s rock in there in the shape of the Kinks.

The band played songs off their EP which was released earlier this year in July called Rabbits, Princes, Phantom’s & Beaches. The song Rabbit Run is a very easy listening song with a catchy guitar melody layered over the top of a nice chord sequence. My Prince has a strong, bouncy bass line similar to that from the Killer’s song, Jenny Was A Friend Of Mine. Throughout the set, lots of the bands influences shine through ranging from indie band Foals to 80’s electronic band, Depeche Mode. The band do a great job of knitting their influences sounds together to create their own brand of music, which stands out from most of the other indie bands around at the moment.

Lunchband are an interesting band with bags of potential. The gig was billed as Lunchband’s ‘homecoming gig’. I expect that there were a lot of people in the Jolly Brewer last night who will be eagerly counting down the days until Lunchband next come ‘home’.

Nirvana – Nevermind

 

Back in 1991, a band crept out of the Seattle Grunge underground to release an album which would transform the music industry forever. Nirvana’s second studio album, Nevermind,  brought alternative rock to to the large mainstream audience and paved the way for many of the alternative rock bands we hear today.

Nobody in the world, including the band, could have predicted the level of success Nevermind would enjoy. In January 1992, it knocked pop icon Michael Jackson’s album off the top of the Billboard charts and of today, has sold over 30 million copies worldwide. The album spawned four hit singles—the first being the hugely popular track, Smells Like Teen Spirit, which can still be heard shaking the foundations of nightclubs today. The other three singles released were Come as You Are, Lithium and In Bloom.

Nevermind cover art

Nevermind cover art

The late Kurt Cobain was the front man and main songwriter in Nirvana. He cited bands such as the Pixies and the Meat Puppets as his biggest influences when writing the songs for Nevermind. The album starts with arguably the most famous alternative rock track of all time, Smells Like Teen Spirit. As soon as Cobain’s simple four-chord, clean guitar intro subsides, the song and album come to life, exploding with the sound of crashing symbols and distortion. This is a regular theme throughout the album, with the band sounding quite mellow in the verses before surprising the listener by erupting in the choruses.

Make no mistake though, Nirvana and the album Nevermind have a lot more in their locker than the surprise element. Tracks such as Come as You Are show the band’s talent as it contains perhaps, one of the most recognizable guitar riffs and bass lines ever created. The fourth track on the album, Breed, is full of aggression, driven by drummer Dave Grohl’s relentless drumming and bassist Krist Novoselic’s pounding bass line.

Kurt Cobain’s lyrics add the gloss to these songs. Whether he’s singing lyrics from somewhere deep inside or screaming at the top of his lungs, he has the voice which compliments every song on the album in its own unique way.  The seventh track, Territorial Pissings, is just over two minutes of punk rock onslaught where as the song Polly, is a beautiful acoustic track, showing there’s far more to Nevermind than loud amps and distortion pedals.

In truth, there’s not a weak song on the album and every track has something memorable about it. Nirvana opened the doors of success for many of the bands around today, including Flyleaf and Staind who both cite Nirvana as major influences. It’s 21 years on since the release of Nevermind and the album still sounds like it could have been released in this day and age.

For me, albums which stand the test of time are the best ones and that’s why Nirvana’s Nevermind, will go down as one of the greatest albums of all time.

Jake & The Jellyfish @ Duke of Wellington

Jake & The Jellyfish are every bit as intriguing and innovative as their name suggests. With their infectious mix of punk, folk and reggae with a violin to boot, their live shows bring to the table the energy and passion which demonstrate everything which is great about the UK punk scene at the moment. In fact, their headline gig alongside three great local bands at The Duke of Wellington last night, proves the age-old saying wrong: punk is not dead—it’s thriving.

Jake & The Jellyfish Live

Jake & The Jellyfish

 

Opening act Joe Davis, from Lincoln based band, That’s Not Me, warmed the crowd up nicely with a solo acoustic performance. He even took a leaf out of the great Bob Dylan’s book by bringing out a harmonica for one song to accompany his guitar playing and singing.

Stereoepic were up next, a four-piece pop punk band from Gainsborough. With their catchy choruses and teenage life inspired lyrics, they’ve gone with a tried and tested formula, similar to that of pop punk giants Blink 182 and New Found Glory. The formula works very well for their live shows though, with the band having a friendly stage presence and bringing a real feel good factor to the audience.

The third band to take to the stage for the night were Wisecrack, a three-piece punk band from Lincoln. This was their first show with a completely new line-up with vocalist and guitarist Matt Colwell, drafting in a new bass player and drummer to replace previous band members who had left. For anyone on the night who wouldn’t have known this snippet of information however, I don’t think they could ever have guessed. The band played with the skill and confidence that made it easy to believe they’d played together for years. Playing upbeat songs such as the title track from their first album, released earlier this year, called Pining For The Road, the band managed to get the crowd moving. Perhaps the highlight of their performance was the hugely uplifting Sunflower Song, where half of the audience joined in with the band to sing along. I have a sneaking suspicion Lincoln will be seeing a lot more of these guys in the months to come.

Headline act Jake & The Jellyfish were last up on stage and they proved to be the perfect band to crown a memorable night at the Duke of Wellington. The four-piece outfit from Leeds are hard to nail down to a particular musical genre which is a compliment in itself. They manage to knit together punk, folk, and reggae to form an innovative blend of music which is a treat to experience live. Think of combining Against Me! and Frank Turner with Bob Dylan and Bruce Springsteen and you’ll come up with a cocktail similar in taste to that of Jake & The Jellyfish. Playing songs off their E.P called Landfills, which was released last year, the band converted the audience into a sea of dancing bodies and flying beer. They ended the night by coming into the crowd to play the painfully honest, but beautiful track Same Old, Same Old, which went down so well, the audience asked for an encore.

I turned up to the gig thinking that with a name as inventive as Jake & The Jellyfish, this band had to be something special. They did not disappoint in any way.